red marbled vinyl only at decks.de!solomon s remix is already rated one of his best to date and perfectly refletcs his flair for the sub-heavy downtempo funk and club-feel. expect the cool underground clubs to have the solomun remixes running for the entire summer season 2011.

huge club techno 4-track attack on the startech imprint feat killer tracks from dj cristiao / robben hill and estaban arroyo / miche and mirzinho / kali

here comes the master on carillon also known as alessio mereu. with an ep that soon will be released on steve bugs legendary pokerflat imprint, alessio delivers to our label a single really different from his typical style and approach to electronic music ... hot as hell!
first on the a side we have >hot - spot< a track with a taste of electronic and latin vibes with psychedelic voices and a solid groove.
then we have alex cellers version (cecille - area remote) that takes the main sense of the track and rebuilts it for a very stylish version rich of percussions and emotionality.
for the b-side we have >fire - hot<, a groovy club track for peak times with spoken vox sample from black poetry that really reminds the 80s rap style from the ghetto.

sixteen brief and inconsequential images..glimpses of scenes flickering by… heres mickey moonlights debut album! full of discrete and subtle details this lp is definitely aimed for home-listening and not for the club (even if close to everything is receiving massive support from our dj friends..) although mm has assembled a large and stellar cast of musicians the album still remains his singular and unique vision.

2010 saw the trans-atlantic combination of american erick morillo & european eddie thoneick hitting the studio and creating a dancefloor bomb! the duo team up agan with vocalist shawnee taylor for stronger with remixes from tristan garner / chuckie & gregori klosman this has been smashing up the clubs all summer long.

b.d.i. brings two far out techno tracks on this new rush hour release. industrial in a good way... this is going to send a certain club in berlin upside down! tip!the long awaited return of b.d.i. is finally here. he returns with two unique tracks.

keep it raw. keep it underground. play quality music and play it on vinyl. this is the fonos way of thinking. influences range from funk to techno, from theo parrish to larry levan. we are proud to hand you our second release from these two guys consisting of three tracks, that do a very good job of presenting a wide range of the full frequency that is their music, from the deep slow wonky vibe of the title track, to the clubby oldschool acidtinged stabs of sad pitch. their last track on we are (la senna) has been played at pretty much every major club by the likes of danny tenaglia, joris voorn, raresh, luciano, timo maas, deetron, matt star and just about everyone else.

after growing up in a record store, facilitating to develop the sound of mos ferry prod. and launching his own label clap your hands marcel knopf is big in business now! so it was time to spent some hours in the studio again in between all his touring through germany. and up it goes! with the club smasher command knopf blows some ears away and leaves the crowd in disbelief. aint love joins the dancefloor as well as it is the typical knopf-alike oldschool frickel-house. the digital bonus track sacritool represents his sound orientation on clap your hands - modern, tooly deephouse!

mad limited edition of 200 copies only in coloured vinyl!incl. remixes by moullinex,jbag & social disco club!kamp!is a polish electronic pop trio - their sound is often described as melodic synth-pop influenced by 80s new wave, 70s krautrock and 90s french house genres! kamp! shared a stage with artists such as caribou, hurts, deadmau5, robyn, goldfrapp, m83, white lies, moderat, black lips, thieves like us, onra, egyptian hip hop or joakim & the disco. since autumn 2009 kamp! has also performed internationally in germany, us (culture collide in los angeles, sxsw in austin), uk (the great escape festival in brighton, liverpool music week, cargo in london), france (europavox), china (expo 2010) and czech republic.

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

rhein-main based tag team diggler & franksen go back some way in the history of frankfurts electronic scene. around 2000 diggler honed his reputation as a master of dubby techno for a whole decade. his early tracks like >boogiemonster< are blueprints of cool. period. today he is still rollin out crisp and deep techhouse beats that combine musical finesse, compositional tension and club appeal. having released about six albums and countless tracks and remixes for labels from raum…musik to cocoon and from resopal to level non zero, diggler is still on the hunt for the proper dose of beat hypnosis.
for their >morning blue ep< diggler teams up with frankfurts radio legend franksen who hosts germanys eldest dj show, todays you fm clubnight. franksen saw a string of releases over the last two years, collaborating for labels such as suara, dieb.audio, kommmitmusik, plastic city and more.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >it goes on< features the vocal talents of damon c. scott and is the perfect follow up to storm queens debut of 2010, >look right through<. an underground hit featured in countless radio and club dj sets and charts, >look right through< was licensed by defected records and will be released in a remix package later this year. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. storm queen is a leap of faith.

-nothing gold- ist bereits das vierte album von joakim, das der franzoesiche dj und produzent diesmal auf seinem eigenem label tigersushi veroeffentlicht. der titel entstammt einem gedicht von robert frost, welches sich in s.e. hintons buch -the outsiders

he has been called the baron of the beats, a knight of life, the life of the night, or even occasionally plain mike gamwell, to you and i though, he is only knightlife.
he is cutters records secret weapon and he is back with the 3rd tome in his royal club catalogue, serves you right / otherway.
the new 12 inch follows on from knightlife i (2007) and knightlife ii (2009), funnily enough, both promising quests into the future of dance with a healthy respect of the past from the melbourne-based producer. with a string of distinguished remixes in between times, serves you right / otherway again sees gamwell forge onwards and upwards, adding yet more strings to his accomplished bow.

how the other half lives is a new label run by london-based portuguese dj and producer zntn. the label launches with on rushmore by the deadstock 33s and stopmakingme. the deadstock 33s - uk club legend justin robertson of lionrock and revtone fame, former hacienda resident and prolific producer over the years - combines forces with stopmakingme - the fabric/kill em all resident and bugged out! regular with recent productions on bang gang, codek and moshi moshi - for on rushmore and as you are. this marks their third collaboratory release, after an ep on tigersushi and single on gomma.

different coloured marbled vinyl

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

mad limited edition of 200 copies only in red vinyl ! original plus remixes by munk, moullinex, social disco club & severino (horse meats disco) ! 1st come, 1st served !

nice price deal !!!

nice price deal !!! nightspot is a catchy, ny club anthem that mixes disco, french house and electro house. beg to differ (roy dank & nick chacona) do a stripped down instrumental disco dub remix. the b-side is a cool electrofied remix by ulysses of stephanie all night.

escort have been setting dance floors ablaze with their disco-infused beats, irresistibly catchy hooks and seductive live show since releasing a series of 12 inch singles in 2006. the 17-member disco orchestra, founded by producers eugene cho and dan balis, and fronted by lead singer adeline michele, features an incredible cast of musicians who have played with everyone from indie-rock titans arcade fire to avant-classical luminaries alarm will sound. >cameleon chameleon< is a theatrical masterpiece about the french serial impostor frederic bourdin, set to a beat that is equal parts thriller and the tom tom club.

his first single >dooms night< (1999) sold more than 250.000 copies - now he returns with a big club belter on lektroluv, including remixes by tocadisco, sound of stereo and the drill!

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

played and supported by speedy j, luke slater, adam x, perc,tommy four seven, dino sabatini, shifted, dvs1, samuli kemppi, sp-x, brendon moeller, norman nodge, pfirter, markus suckut, jonas kopp, obtane, dadub, cio d or and more.
features series start from here, the first of all, open repitch. the rebirth of the well-known fusion ascion and d. carbone. a unique sound suitable for the club and listening. irradial is a industrial-hybrid. walker smells like oldschool but totally redesigned. glare is an endless trip. mike parker version of walker takes you over, hypnotic. the name features come from the surrealistic artworks that will accompany us throughout the series. these mix the physical traits of the artists face with others, a face that looks like a distorted view of someone in our thoughts with features not well defined. to collect.

french housemusic legend dimitri from paris is back! his last e.p. on gomma became a favorite of djs from soul clap to danny krivit, the magician and horse meat disco. now this is the second ep made with dj rocca. italian superproducer with releases on classic, rekids and international feel (who also releases as ajello and crimea x and plays the flute on this release) basically they do early 90ies hip house and electroboogie. including a cover of the pet shop boys >domino dancing< (feat. tim benton) and the dancefloor burner ero disco theme. hits.

the eraly years of a decade are good times for exploration, just like in 1993 when we (alex & sasa) first started working together. we rented a huge loft space on ave b & 2nd st. in the east village in manhattan. the winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... the only way to stay warm was to wear hats, gloves and scarves the whole winter... but that was fine because nightlife was a lot of fun. there was a good club/party every night. right below where we lived was one of the best after hour clubs called >save the robots<. but one of my favourite parties was >sugar babes< which was at the cbgbs gallery space right next door to cbgbs, every monday night. the dj used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. it was really inspiring. so we wanted to go back to this idea of sound assembly and create a new series for us to work with called >skematics< its like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet

ultraschall is an homage to the first big techno club in munich. the owners of harry klein were part of the old ultraschall, which has a unique legendary status nowa¬days. the older generation in particular often long for the good old days. yes those times shouldnt be forgotten, especially not in terms of sound, but its also important to move on and attempt new things. like supporting vinyl, going to a who¬lefood shop or ending war. ok that might sound like a bro¬ken record, but how about spending less time on facebook and actually with your friends, cooking for your parents or organizing a break dance battle in your backyard? daniel takes us on a journey through the past and back to the future again. a charming mixture of laid-back grooves combined with some rough n ready rave moments make this a rapturous trip, no matter what time it is. track names are a really interesting element of music. some artists dont care about them at all and call their tracks a1 or something non-descript. yet many titles can be really funny, others made up words, and some corre¬spond to current events or times. some just really fit the sound. if you lose something, in general its a pretty nasty and unsettling feeling. but you have to deal with bad luck when it strikes. losing something can teach you an im¬portant lesson, or simply show you what it means to be unfortunate and down. not knowing the lows as well as the highs wont allow you to evaluate life very well. most important is to really feel and be yourself, despite the ups and downs.

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

joe goddard is surely one of the busiest men in the world of electronic music: writer and producer behind the world-conquering hot chip, acclaimed solo artist, travelsome dj, prolific remixer, one half of the emerging 2 bears house duo and one of the founding members of the greco-roman record label and party collective. goddards first solo material in 18 months should open with a chorus of angels, before title track >gabriel< strides confidently into familiar territory of londons clubland and its rich musical influences, this time goddard choosing gospel and house as his parameters to create a bone fide underground radio and club hit which currently sits on the bbc radio 1 playlist.

on intransigents 17th vinyl release, current value shows a bit of his musical side, while dj g-i-s exactly knows what to do to make a massive club banger out of this charming tune with snows lovely vocals. long awaited and now finally here: intrec017!

producer oliver ho aka raudive is not a dark horse. two years after his acclaimed abc ep he returns to rrygular with his new release >love is the devil<. straight and facing forward but also back to the roots somehow. that doesnt need to be a compromise. it is a symbiosis that works absolutely fine in case of this particular 2-tracker. like always the englishman knows how to use percussion elements without getting cheesy. a certain reference to electro is obvious but it underlines the typical dirty raudive sound rather than trying to be referential. but who needs genres anyway? club-disco-techno-house-funk-electro - some kind of monster!

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

the great strength of feindrehstar lies in their engaging and dynamic live-show on the stage. if you see them once, you must see them again. whether metalhead with a glass of beer, a dreadlocked queen or standard- issue club-goer, this band moves everybody. that feindrehstar also crafts music that from its source warmly hugs the listener is another plus they have going for them. these are supported on the latest from musikkrause by producers such as axel reinemer (jazzanova), michel baumann (soulphiction) & wendelin weiflbach (metaboman, krause duo).

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

chicago native producer joey kay, and well-known poland producerand d.j. aphreme duel it out on stylistic recordings styl#003 high-riser extended play vinyl 12 inch. the title track to this e.p. is a1 in tracklisting >high-riser (skyscrape edition), with aphreme and joey kay bumpin the deep house chicago style, with joey kay engineering and co-producing aphremes great jazzy song. joey also plays intricate piano leads, and layers of extravagant synths and strings, dueling with aphremes main concept. a great floor filler, jazzy mixed with chicago deep house and peak club blend

slamming four track vinyl compilation with strong floorfriendly house

music man records is proud to present the long awaited second mix-cd from marcel dettmann, resident at the notorious berghain club in berlin since even before it was called like that, and one of the key artists on their label ostgut ton. marcel dettmanns previous mix-cd was named best mix-cd of 2008 by resident advisor. last year he released his debut album dettmann to high critical acclaim. in the meantime he is also building the profile of his own label mdr, and of course he stays one of the most in demand remixers around.
the tracklist of conducted includes again a mixture of new to be discovered talents, old to be re-discovered gems, and a few usual suspects, such as sandwell district, redshape or shed. conducted is a timeless mix from one of the most important players in todays techno scene.
this is the first of two vinyl samplers, including tracks by bluemoon productions (1990!), morphosis, signal & fbk.

music man records is proud to present the long awaited second mix-cd from marcel dettmann, resident at the notorious berghain club in berlin since even before it was called like that, and one of the key artists on their label ostgut ton. marcel dettmanns previous mix-cd was named best mix-cd of 2008 by resident advisor. last year he released his debut album dettmann to high critical acclaim. in the meantime he s also building the profile of his own label mdr, and of course he stays one of the most in demand remixers around. the tracklist of conducted includes again a mixture of new to be discovered talents, old to be re-discovered gems, and a few usual suspects, such as sandwell district, redshape or shed. conducted is a timeless mix from one of the most important players in todays techno scene.
this is the second of two vinyl samplers, including tracks by cheeba starks (1996!), vril, the analogue cops & answer code request.

following his dream ep release last year that featured an amazing j.t.c. remix, juanpablo drops us this time another especial production called mother mountain ep that shows clearly how hard he is pushing to create his own beat. last year his song dream was reviewed by some specialized media as hard to describe but easy to love and we think that the mother mountain track on this record will get a similar description. sea people is the second track and for this song juanpablo has invited spanish producer vinz vincenzo to collaborate with him in the production. this artist has been around for a long time and has made a lot of music in many different types that are far away from electronic genres which gives a plus to the end result of this production. and lastly, we have a remix of mother mountain by the mythic spanish producer arcanoid who has released on labels such as tesla, semantica, etc. his remix is pure techno, very hypnotic, dark and mental but always with his personal touch. probably the most club oriented tune on this record.

part iii boasts contributions from portland, oregons performance art and house music group the miracles club (following releases on cut copys cutters label and famed mexican summer), wurst vet nick chacona - here with longtime partner anthony mansfield, and neurotic drum bands ulysses. the miracles clubs >i cant help it< is a heart-wrenching, ethereal ballad set atop a rock solid, chicago house-inspired rhythm section. easily the deepest cut to emerge from the nick chacona and anthony mansfields fun-filled studio sessions, >tase the wizard< is tailor made for desert raves and smoky basement clubs alike. >soular power< sees ulysses at the top of his talents, bringing the tempo way, way down for a slow-burning balearic beast.

while dominik eulberg utilized the broader canvas of the album format to develop complex sophisticated compositions, rich of melodies and of intricate details, it was time to boil it down to a bit of a club formula. stephan bodzin, a favourite producer of eulberg, has chosen the clubbiest track of the album >teddy tausendtod< and transformed it into a after hour monster. installing a feeling of electricity with sounds of the original that hover on a layer of huge bass and powerful arrhythmic kicks... it has resulted into a hypnotic anthem.

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

new album by dj mehdi. born, raised and based in paris, dj mehdi has been producing major french hip-hop artists since 1995 while making great noise (and platinum albums) with his bands ideal j and 113, remixing various electronic acts and composing soundtracks for many french and international films. signed to pedro winters ed banger records, he has released his first full-length lp in 2002 (>the story of espion< virgin), and is about to drop lucky boy around april 2006. new single i am somebody features vocals from canadas finest chromeo and remixes by kenny dope from the mighty masters at work. resident dj at paris legendary pulp club and on radio fg, he now tours all around with busy p and justice.

another superb love record filles with trancey atmospheres and epic breaks. this is one that will go off in the club at peak time. the a side is the ultimate banging club record that is both a very uplifting track and also a straight forward steamer. the flipside hot n old is a rather hard katy perry bootleg with a very mysterious intro that will leave you dazzled once the drums kick in. also this side is very atmospheric and trancey again. perfect for the winter, the roaring bass on this is enormous.

next up in studio barnhus split coloured 10 inch series (the previous installment was acid andy and axel boman on yellow vinyl) is handsome newcomer hnny and barnhus very own desperado kornel kovacs. on the a side, hnny takes a saccharine rnb cover of perhaps the greatest power ballad ever and turns it into a perfect little edit – as simple as it is inspired, this is an obvious end-of-the-night-turn-the-lights-up-in-the-club-anthem if we ever heard one. on the logo side, kornel kovacs brings the heat with down since 92 - a bass-driven, vocal-laced pop house song about hate, love and jealousy. break it down! red vinyl, no digital - limited to 300 copies worldwide. barnhus bang the party once again! freshness.

brilliant piece of vinyl... 1st track = phat berghain styled techno , and fred p reshape and b side track > testament< are just a fantasic deep house productions. delicious decks tip!